Comics Experiments
Online Zoom portrait class ‘@pencils4tea’ where I decided to create cartoons by placing the portraits together as if they were sharing the same physical space. This was interesting to do, but I worried a little later if the members of this group might be offended…(the organiser Jane loved them however and very quickly reposted my Instagram submission).
Created in the Sketchy Bitches ‘Happy Hour’ from Dulcie Ball’s prompt to create ‘big hair’ with ‘triangles,’ This was timely as Dulcie had just being saying that noses were much more than just triangles, so I enjoyed building a ‘triangle’ nose, eyes, mouth, face and hair. For some reason, the triangles of the pagoda came into my mind and the hair became a pagoda. It is wonderful to just follow the ideas that come into your mind to see what they become. This image happened from the conversation, the prompt, and the randomness of my mind – these kinds of fusion are such fun!
Various conversation and interaction condensed into a single-panel of a conversation with my Dad on the phone and conversations with J while walking in Chipping Camden. It misses all the funny texts between Dad and me, where he wonders if his death should provoke such levity. I’d like to turn all of these into a graphic story at some point…
This is a graphic mapping of how my body felt while I was ill – huge runny nose, streaming eyes, throbbing hip, and sharp pain on the right. I developed a sort of creative prompt over a pencil sketch of a person – it might be useful for people to record complex physical feelings (or mental ones for that matter), as it seems good at communicating different senses from rhythmic throbs to sharp pain. I might mention it to Lisa at some point…
This diary entry was created after a Leam Funnies meeting and condenses Laura’s compliment of my hair and a version of her portrait of me. The portrait was created using the following prompt: create a portrait using 3 continuous lines only.
It’s interesting to work with other people’s versions of you…
This comics diary entry is based on a lovely comment on Instagram after I posted a strip of contorting flamingoes in a serious called ‘Tasks for the Impossible Cartoonist: how to fit the flamingo neck within a panel),
‘So clever. That’s the subtleties of great cartoons, as a reader you can’t put your finger on why it makes you smile or pushing your interest, but its’ magic’
Another comment was ‘Framingoes’! i.e. Flamingoes struggling to fit into the frame. Excellent name for the series.
My happy place is drawing. This happy place was cartooning in J’s living room, where he put on a Youtube video of exotic birds that filled the room with sounds. I loved it.
This comics diary entry was after the Sketchy Bitches ‘Sketchybition’ weekend and is after Dulcie’s mantra ‘draw! draw! draw!’
After this weekend, I started to cartoon everything regardless of quality of idea – it has been great. Liberating and an excuse to imagine everything into doodles.
Comics diary doodle –
Dad on very good form on his birthday – lots of stories and lots of laughter. Plus, he invited himself to J’s house! Before we settled in at mine for dinner and open fires.
(I like the simple lines in this doodle, but didn’t quite get my Dad’s crossed legs to work!)
Comics Diary Doodle:
My cartooning circle, ‘The Leam Funnies’ got together in front of my fire for drawing and snacks. We had set ourselves the task of creating punny Christmas cards with various verbal prompts (mine was ‘robin’) to turn into Christmas cards for each other. JC drew up lots of cartoony puns (18 I think!) around the suffix ‘tree’
Comics Diary Doodle:
This was created after giving a workshop at the Sketch Appeal Pop-Up Exhibition in Oxford Street, London. I noticed how the other artists had prepared very little for their workshops, which went swimmingly well, while I had spent most of a week of struggle and strain. Just to remind myself, it is enough to be a creative first and then trust the process of sharing and learning.
Comics diary entry:
My intention for Autumn (a bit embarrassing after the recent stress fest of rush!)
Comics diary entry:
A particularly stressful day completing creative tasks for my excellent (and very challenging) Scriberia course – everything got sworn at (luckily no people about!)
Comics diary entry:
After an online creative Zoom session with @sketchappeal. I joined the ‘Happy Hour’ really tired with no expectations, as was surprised to relax and watch the ideas flow…
This was created to cheer Mum up after she had a fall and broke her arm with the Leamington Rambling Club in Shropshire.
Comics diary:
After creating cartoons with The Leam Funnies to celebrate the life of Jeanette – loved doing this and it set the intention to somehow develop this in future. I want to do this for other people as an income stream.
Comics diary entry:
After something cartoonist-artist Steve Chapman said online about how he practices quantum flirting for his creativity.
Comics diary: TK visits for a work meeting (coffee, chats, and lots laughter outside in the courtyard)
Comics diary entry:
Why do I wake feeling like I’ve been beaten up? No clue.
Here, Ellen’s chameleon of creativity appears to give me some advice.
Comics diary entry: after Dana’s very interesting comment on how Emil Ferris uses monsters to weaponise her identity in her graphic novel ‘My Favourite Thing is Monsters’
Comics diary entry: attended an incredible NY mini-symposium on Zoom with Melanie Reim and Veronica Lawlor.
Comics diary entry: my first attempt at a ‘comics haiku’ based on lots complex thoughts/feelings (haiku are useful for this!).
Comics diary entry:
Love this dark quote from Dulcie at the beginning of her visit – she is wonderfully off the wall and humour comes in all directions.
Comics Diary Entry:
After a quote by comedian Robin Ince during the How to Academy’s celebration of 42nd anniversary of the Hitch Hikers’ Guide to the Galaxy. There are other elements that were discussed during the talk by Robin Ince, Richard Dawkins and Chris Riddle; including Douglas Adams ‘theological puddle’ on the right and Dawkins’ mention of ‘The God of Gaps’ always having a little something to do. There was also a great quote cited from Professor Haldane who said “The Universe is not only queerer than we imagine—it is queerer than we can imagine” – this quote was a bit of a challenge to cartoon!!
Comics diary entry:
After a conversation with Tina about her cats requesting fuss by showing their cute bellies and her saying ‘This is where time disappears into a vortex of fur and fuss’.
Comics diary entry:
after dressing up as Lady Muckbeth for the Sketchy Bitches on 21 April. ‘Keep Clean and Clari-on!’ is Dulcie Ball (Queen Sketchy)’s pun.
Sketchbook cartoon after being inspired by a photograph of Sketchy Bitch Susan with a disco ponytail.
A cartoon to celebrate our quirky Naomi who regularly wears her deely boppers to the Sketchy Bitches.
Comics diary entry:
Some of my favourite funnies from the ‘Comics’ session, which was to raise money for the Cartoon Museum and Cancer Research.
Caroline as Jamie Hewlett’s Verity, Sarah T as the Joker, Rachael as Valkyrie (she had balti dishes for her silver bra), Linos as Catwoman Off-duty, and me as Giles’ Grandma.
Comics entry diary:
Been so excited lately that I’ve been enforcing some boredom to balance out and not burnout.
Comics diary entry:
This is after a slightly layered story that goes roughly like this. Michele posted some photos of some of the Sketchy Bitch friends at Spitalfields Market and I asked why there was a picture of a troll doll, but no picture of Dulcie. Apparently Dulcie hated all the photos of herself (!) and posted the troll as her ‘alter ego who is a warrior for world peas.’ I wanted to celebrate Dulcie’s sense of humour with this and note that she is beautiful in more ways than the surface.
Comics diary entry:
Bumped into my friend Peter Lovelock in the Jephson’s – his longtime partner told me this story.
Comics diary entry:
Nice to be quoted, but even nicer to remember the ending to the quote from the not so wise and misanthropic.
My Easter costume bubbled over into a sketchbook entry when working with my cartooning circle ‘The Leam Funnies’. Nice to notice that my line work gets more confident with repeated drawings.
Created for Women’s History Month and for my great friend Hilary who loves reading history – she has entertained me lots recently on walks with the strange stories of Sissi.
Comics diary entry:
Got a bit stressed out getting my head around new tech today, but drawing this helped me ‘get my zen on’ to solve the problem calmly the next day.
Comics diary entry:
After having an idea in the night for an Easter egg costume, where I pinned rubber fried eggs to my shirt to celebrate. I got up and ordered 3 of them from Amazon. Lots of silly fun ensued on Easter Sunday…
Created for Women’s History Month and my friend Caroline who likes Mary Quant.
Note: it is strange but true that she loved the mini and designed the interior of the Mini 1000.
Just wanted an excuse to draw a dodo! This is not a good gag, but I decided that it’s just good practice to cartoon up anything and everything. Quite like the dodo, although Mum said he needs to be fatter.
A cartoon for Women’s History Month and for my ‘Sketchy Bitch’ friend Lene who dressed up as Elizabeth Bathory to celebrate.
Comics diary entry:
After a conversation with Dad, where he gave me possibly the best compliment ever.
This is one of my ‘Zen Doodles’ that paraphrases a comment by the poet John Brehm – he doesn’t mention ‘the funny’, but clearly the ‘eternal transient delight’ has to be synonymous!
Today is Michele’s birthday, so to celebrate I created a little cartoon of her based on her dressing up on Wednesday as Cleopatra for the Sketchy Bitches’ ‘Happy Hour.’ Michele is a wonderful and sweary person, hence the essential included f-word.
Struggling a bit this week to get into a funny mindset (back pain and tiredness), but chuckling away at other nice things (today ‘Taskmaster’ and funny texts from my neighbour/friend John). This morning’s cartoon sort of illustrates that everywhere could lead to funny. It draws on a cartoon that Sue Kenney created of me – and the front cover to Matt Groening’s ‘How to Go to Hell’ – two inspirational cartoonists.
Comics diary entry 5/03/2021:
This is a diary doodle after something that my personal trainer often tells me to better ground me. It is a lovely consoling notion that the immensity of the Earth is supporting us.
Comics Diary 3/3/21
This little sketch captures my feeling when trying to catch up with friends’ Instagram posts after a week offline.
Comics Diary 2/3/21
I’m reading a fascinating book about brain chemistry at the moment (‘Habits of a Happy Brain’ by Loretta Graziano Breuning), which just leads me to marvel that humans are ever ‘happy’ with these constant and erratic chemicals firing or holding fire at all times.
Comics Diary 1/3/21
This is a little cartoon that condenses an interesting radio programme about John Cage’s composition of his silent piece ‘4:33’ in 1952, which was inspired by zen and a visit to Japan to see his friend Yoko Ono.
(Radio 4, Silent Witness – John Cage, Zen and Japan).
One of the birthday flamingoes created for Dad’s birthday cartoons this week (for more, see Creative Research Notes 36)
One of the birthday flamingoes created for Dad’s birthday cartoons this week (for more, see Creative Research Notes 36). The visual pun is the incongruous translation of the position as ‘entre chats’ – between cats.
One of the birthday flamingoes created for Dad’s birthday cartoons this week (for more, see Creative Research Notes 36)
One of the birthday flamingoes created for Dad’s birthday cartoons this week (for more, see Creative Research Notes 36) – a visual version of the classic 2 Ronnies ‘four candles’ comedy sketch.
This was a card created for my Dad’s partner’s birthday. It was an illustration of his gag idea, so it was interesting to build this visually. I struggled a little with the perspective and condensing the idea into the small space. A good challenge though! (See Creative Practice Notes 35 for further details).
Comics Diary 25/2/21
Dad’s birthday with lemon drizzle cake, a country walk, curry, presents – and surrounded by the women who adore him most!)
This cartoon was created on Valentine’s Day as an anti-Valentines card or anti-Chocolate and Card Industry Support day (excellent joke by my neighbour John).
It captures one aspect of romantic love and also expresses my love for Charles Bukowski’s work (but doesn’t capture that I am actually a romantic who thinks that love is also a many splendoured thing!).
This is part of my David Shrigley experiment (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘aeroplane.’
This is part of my David Shrigley experiment (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘canary bird’
This is part of my David Shrigley experiment (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘rose.’
This is part of my David Shrigley experiment (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘book.’
Comics Diary 18/2/21
I had just rewatched the movie Groundhog Day. I read somewhere that Harold Ramis reckoned Groundhog Day lasted for about 10 years…
Comics diary 17/2/21
Introducing my new personal trainer, Mick, who is zen in the calmest funniest way! In this moment, he is trying to persuade me to run in the dark too…
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘street.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘thread.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘sea.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘zebra.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘spooky.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘feathers.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘prison.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘ideal.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘shout.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘close.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘tea cup.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘text’ (and sort of remembering old linguistics knowledge on the evil of text messaging from John Humphries (idiot) and David Crystal’s insightful response.)
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘triangle’.
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘joy’.
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘window.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘bug.’
This is part of my David Shrigley experiment of 8-12 February (see Creative Practice Notes 33 for details). Here, I’m responding to the art prompt ‘paint.’
This is a cartoon of my ‘sketchy’ friend, Lene, who wanted to be turned into a fox. She is a ginger-haired goth, who claims to be a witch, so I’ve included these elements in the image and words.
I’m most pleased that I drew the fox from my imagination – this is a big step forward for me, as usually I don’t have the confidence and begin with Google ref photos. The habit of beginning with representation first is being slowly replaced by imagination first – a much more logical place to start for incongruity theory experiments.
This is the animal version of friend Christina from the online drawing group the ‘Sketchy Bitches.’ She wanted to be a cat, unicorn, or sloth. The unicorn version was too tricky and was abandoned for the sloth version. I am also working on a version of her with cats.
(See post 28 in Creative Practice Notes for more on the creation of this cartoon).
This idea for me as ‘Sketchzilla’ was invented by friend, artist and entrepreneur Dulcie Ball. This name results from my love of sketching and the fact that Godzilla always sits on my desk. He is my mascot from my days in Japan (and that’s a whole other story…). What I love most about this nickname is that if you type ‘sketchzilla’ autocorrect changes it to ‘sketch silly!’ YES, EXACTLY! That is the point and the purpose – to find the funny playfully. Brilliant Dulcie.
Sue preferred the kestrel version of herself and I agree – it has her power, her edginess, and her smarts. The earlier ‘Baloo’ Sue does not capture these elements of her personality (although it does perhaps capture her height and her cheeriness).
This was my first attempt for my zoomorphism challenge (i.e. turn people into animals). Sue from my cartooning circle requested either a bear or a kestrel. She preferred the idea of a bear, but actually much preferred the kestrel version. When she saw the bear, she said, ‘Sue the Baloo!’ and it does conjure this sort of affable idiot (far from the real Sue).
This is a 7-minute portrait of fellow ‘Sketchy Bitch’ from our online drawing session of 24.01.21, where we were posing in the style of ID magazine (i.e. with objects obscuring our eyes). I’ve uploaded a few favourites from the session here to celebrate my first session the built funnies into the extreme time limit.
She teaches art to kids, so this led to the caption.
This is a 7-minute portrait of the facilitator of the ‘Sketchy Bitches’ online drawing group (Dulcie Ball). On 24.01.21, we were posing in the style of ID magazine (i.e. with objects obscuring our eyes). I’ve uploaded a few favourites from the session here to celebrate my first session the built funnies into the extreme time limit.
Dulcie is ‘smokin’ as an awesome facilitator, creator and inventor of community ideas. She doesn’t smoke, but has a smoking pencil and always has ‘smokey-eyed’ make-up. She is included here, not because this is a good caption, but because she has been so important for my work. She is also encouraging and for the Instagram posts of this session, she was particularly enthusiastic in a special Dulcie way (this means swearing, exclamatives, and emojis).
This is a 7-minute portrait of fellow ‘Sketchy Bitch’ from our online drawing session of 24.01.21, where we were posing in the style of ID magazine (i.e. with objects obscuring our eyes). I’ve uploaded a few favourites from the session here to celebrate my first session the built funnies into the extreme time limit.
This is Michele, who is an amazing photographer. The pose was so reflective that it led naturally to the thought bubble.
This is a 7-minute portrait of fellow ‘Sketchy Bitch’ from our online drawing session of 24.01.21, where we were posing in the style of ID magazine (i.e. with objects obscuring our eyes). I’ve uploaded a few favourites from the session here to celebrate my first session the built funnies into the extreme time limit.
This is Lene, she’s a goth who is drawn to the unusual, creative and deranged.
I started creating cartoons of Maggi Hambling after getting inspired by her in a BBC documentary to celebrate her 75th birthday called ‘Maggi Hambling: Making Love with Paint.’
There are more cartoons and a write-up of the process used under ‘Creative Practice Notes’ Post 26.
Notes:
This strip was a way to strengthen my resolve through a difficult month by remembering the mottoes of my nearest and dearest. I always wanted to fuse them all together and ‘Enjoy what you have‘ is an attempt to do this. It does not really work in times of depression though and recently Grandad’s worked best and I often repeated ‘Do your best with what you’ve!’ This motto was previously slightly resisted because it is rather a tough approach to life that reminded me of the Japanese version of this – ‘Gambatte!‘ which literally means ‘Struggle!’ Still, sometimes it is a struggle anyway, so may as well go with it.
Comics diary entry.
Bad pain week this week that was much cheered by Dulcie Ball’s post on Instagram with 3 portraits of me from our ‘Back to School’ drawing session. In her message she says “Meet Continuous Clari – she plays by her own school rules! She’s a #sketchybitches superstar and a short story/comic book waiting to happen”
This is Dulcie’s sketch of me in continuous line (I traced it using the ‘Trace Table’ app and tried to keep as close as possible to Dulcie’s original, which can be seen on her Instagram feed).
Comics diary entry.
Working the allotment with Mum who had ‘fizzy energy’ that day and was zooming. She tends to leave tools abandoned in the soil and I always do a sweep for tools after she leaves.
I changed my plan for the format, which is why there is a grey line down the middle. It went from two panels to one.
Introducing new characters called Mardy Min (something Mum called me when I was wee and moaning about something) and the Mardy Bums. These happened while doodling about mardiness and working with cartoonist Liniers approach of working with your emotional landscape to explore types of humour – playing with black humour here.
I like their hairy feet, but would like to do more work on these characters. Looking forward to the next mardy mood to explore further….
Comics diary entry. I had just been nominated as the new chair of the Association of Midland Artists.
Comics diary entry.
Dulcie Ball shared that she was mardy too that day with the observation that it was probably to do with the full moon. She is probably more sophisticated than me (I just need to avoid bread).
Comics diary entry that captures a conversation between Laurence Shorter, Carlos Saba and me. Laurence had just asked us to write down a list of unresolved questions that concern us and my list was long and catastrophic including questions such as: ‘how can I keep my parents safe into old age?’ and ‘when will I die?’ He then said ‘all can be solved in the non-doing space’ which I wrote in my notebook along with a doubtful ‘ha ha ha!’ As if, non-doing practice can tell you when you’re going to die…
We did some non-doing practice together (i.e sit do nothing and accept you have no idea) online. Afterwards, I realised that all of these questions involve situations that have not yet happened and sketched this cartoon in response. I love that Laurence was right despite my bitter laughing pessimism.
Note to self: invest in more permanent pens that do not bleed.
This is a comic strip version of a story Sarah Millican told on the radio programme ‘Women Talking about Cars’ (R4).
I wanted to remember this story, because it made me smile lots. To my mind, it also illustrates both modern relationships and also our dependency on ‘men who can’ – the wonderful people who can actually do stuff!
Kudos to… my heating engineer Karl, my mechanic Gary, my carpenter Andy, and my Dad always (his middle name is ‘Candooo’).
This is a quote by my online yoga teacher. When she said this, I instantly thought of a newborn getting slapped on the tushy into life and breath. Breathe baby breathe!
This cartoon also illustrates my ‘hippy trippy’ side (sometimes visualised as me in hippy flares tripping over with daft hippy nonsense – might be worthy of drawing up into a cartoon sometime).
Dad used to do aikido when he was younger. He would do these dramatic aikido forward rolls across the floor to entertain me and my brother Will.
These days, his most common advice is ‘roll with the punches’ – so common that it merits motto status.
My dad is actually a clever engineer who might well disagree with this assessment. He often disagrees with my version of things and calls me a ‘fantasist!’ regularly, but he IS definitely zen in the way he approaches tasks with slow careful kindness.
This week, I have been doing a ‘bird-hat’ challenge creating birds-as-hats (after the illustrator Terry Runyan and a suggestion from Dulcie Ball of the Sketchy Bitches).
I have also been cat-sitting for the neighbour’s cat Hamish, who is a fluffy white ball of snuggle.
These were the two main happenings of the week (what a silly and wonderful life!), so I’ve fused these two things here.
Alexei Sayle is my favourite stand-up comedian – I love him and this is a sort of hommage.
This joke is paraphrased from ‘Alexei Sayle’s Imaginary Sandwich Bar‘ comedy show on Radio 4, where he says, ‘Sometimes I get really fed up with my subconscious – it’s like it’s got a mind of its own’ (Series 2, ‘Britain’s Place in the World’ episode).
This is a little sketch while thinking about my positive experiences and encouragement from the wonderful ‘Sketchy Bitches.’
Here are two of the inspirational members – Dulcie ‘Queen Sketchy’ Ball – the founder and organiser of Sketch Appeal, and Helen Girling – illustrator extraordinaire.
This cartoon is not well-drawn, but it contains layers of jokes between my Dad and me over many years. I don’t like the drawing, but it makes me smile to remember the jokes. It reminds me of ex-cartoonist Corinne Pearlman saying that she missed ephemera cartoons of the family that she had thrown away over the years.
Joke 1: my Dad reminded me for years when leaving the house to ‘Remember your waterproof!’ I was a teenager at the time and didn’t bother to elucidate that I did not own one. Eventually he bought me one for my 49th birthday. He bought me his favourite brand ‘Rohan’ at vast expense even in the sale.
Joke 2: my Dad loves Rohan – friends and family like to mock this affection (he does ramble on about it). On this day, he has told me in detail about his Rohan attire and his breathable wicker vest and pants. Bemusedly I asked if he was wearing 90% Rohan that day – he proudly said 70%
Joke 3: on this day, we had hiked 10 miles in pouring rain to Warwick Books and I had made the mistake of putting my required face mask in a non-waterproof pocket (non-Rohan!) so it got soaked. This meant that it was difficult to talk to Mog and Pauline (the book keepers) and it hurt to breathe. I enjoyed my Dad’s resulting compassion.
My cartoonist mentor suggesting that I sit ‘in my own genius!’ This was a little difficult not to joke about (and I mimed confusedly looking around the room for my genius until she explained further). This cartoon condenses the idea, so that I might (maybe possibly) remember to do this and to take it lightly and seriously.
Peter has the allotment next to me (and 6 other plots). He gives me dahlias all the time and teaches me the names (this variety are called ‘Firepots’). He is wonderful and sometimes I get over-excitedly chatty in my delight that he’s there (as today).
This cartoon condenses conversations from that day with friend Fee. Her and her partner Len came over for ‘allotment curry’ (a lot of courgettes!) and we chatted about our favourite things. She likes Buddhism and birds as much as me.
My friend Alyson is very silly and sometimes wonderfully mean in her jokes. Check this one out about me:
Clari: This quaker asked me if I wanted to join them.
Alyson: He probably just wanted you to shut up for a while… ha ha ha…
Notes:
This comic was a useful way for me to condense the information from Laurence Shorter’s first official ‘The Art of No Idea’ coaching session on 30 July 2020.
There is a group of about 20 of us working with Laurence’s structure to develop constructive and enjoyable creative practice. There are more details on this in my ‘creative practice notes’ dated 04/08/2020.
I particularly liked the connection to a lexical chain of water that seems to be a visual metaphor. J.K. Rowling’s creative practice that involves her going to her imaginary house next to a lake and concentrating on the lake as a source of ideas. Also two members of the coaching group used watery terms; Christopher talked about ‘waiting to see what bubbles up’ in the yin practice and Katie talked about ‘sinking into‘ the work.
(Media: nib pen and ink, watercolour paint.)
Notes:
This is a section from my comics diary (it’s based on an idea by cartoonist Lynda Barry of sections to be filled in each day with notes such as ‘what you did/what you saw’. This is an element of the day that is ‘drawn’ in a final section.)
Notes:
This was drawn in my wee sketchbook while on holiday in Lanzarote.
It’s based on an experience in a nightclub where some English dudes in football shirts got very loud to the beautiful sad love song ‘Miss You’ by band ‘Everything but the Girl.’ I remembered the lead singer Tracy Thorn talking about the sorrow behind the song and the juxtaposition amused me.
Notes:
This was drawn on holiday in Lanzarote.
My best friend loves Lanzarote – he wakes up happy to do the same thing everyday. He’s been there nearly 10 times (I make a concession to go with him once every 10 years, so we’ve been together only 3 times). I’m always a bit confused why he loves it so much…
Notes:
January 2020 was a really awful month for procrastination. It actually felt painful ‘not to do’ (but turned out that I just needed to go on holiday for 2 weeks and really ‘not do’ properly and then all was well).
Notes:
This comic is about being stuck in theoretical circles for my PhD as the university asked for more justification for my ideas. I started to get depressed that all my time was going around in circles justifying the idea with theory, rather than actually doing the research on ‘finding the funny’ and creating comics and cartoons.
Notes:
There were discussions of cycles in my reading on action research and in my mind this connected to cycles that go up and down.
My Dad (that’s him with the lovely nose there) often mentions ‘the slough of despond’ as a cycle down to the depths of despondency and depression.
In action research, the learning cycle moves upwards as your knowledge advances. I loved this – for me it especially makes sense as learning is my main driver. I like the idea of it moving upwards. It also connects to cartoonist Lynda Barry (pictured here in the plaits), who loves drawing spirals in her work, as a way to move cartooning work forward.
Notes:
This is a theme in November, where I was stuck in theory and getting more and more miserable going around in circles. I wanted to escape and to be subversive like Wokker, the surrealist cartoon character created by Earnshaw and Thacker. Wokker is a strange yellow wheeled creature (perhaps a bird or dinosaur?) that you can see escaping to the right and saying ‘Wok it!’ I’ve drawn myself a little like Wokker, but I wasn’t surreal or subversive enough to escape the circles. Interestingly, later my research became very interested in surrealism and surrealist tools for creation – probably with the influence of Wokker.
I managed to eventually feel better during this time by making time to draw. Drawing is my happy place.
Birds are often in my research (and life) and provide sage counsel here. Mostly they provide sarcasm or sardonic comments for the absurd humans (i.e. me), as birds are clearly so much better than humanity.
Notes:
You could do cartoon strips of people saying ‘I’ll be happy if…’ until the end of time!
Notes:
You can always tell a strip is autobiographical if the character is wearing stripes and has messy hair.
Notes:
This is the start of my PhD at UAL. I was so happy to be working with Roger Sabin as my supervisor that I felt a bit mentally delirious for a while. It was (and is) a dream come true – Roger was the first person to really get what I wanted to do and believe that it could be a valuable contribution. Later Nina Mickwitz joined the supervision team, so I just got luckier and luckier.
Notes:
This conversation happened in front of me on a street near my house.
It wasn’t a wolf (in case you’re worried), but a large black dog. The mother never looked up from her phone as we walked passed.
Notes:
For a long time, my research got lost in the dark forest (creators call this the Wagnerian forest when you are ‘blocked’ and can’t progress).
Notes:
This was the beginning of drawing to feel better from burnout. I started to draw the things that I loved (cartoonist Rachael House with the pink hair, birds, the sea, the monkey king…). It was never finished, because I returned to the crazy world of work and burnout for two more years!
Notes:
This was an attempt to create a comics haiku.
I had taken a ‘mental health day’ trip to Oxford because work was awful. Now, I can see that the monstrous black thing is burnout, which had been dogging me for years by this time. It took me two more years of this before I managed to get free to rebuild health. To do this, I had to take unpaid leave from my post at Coventry University – everything else I had tried before to fix this situation had failed. Sometimes, you can’t fix things, you just need to stop and start again.
This is an early cartoon of a condensed memory of Dylan – our funny Australian colleague who was stuck teaching out in rural Tojo. He joked often about being stuck living alone with a stuffed monkey and a BB gun. BB guns were probably illegal in Japan, so I added a policeman saying ‘DA-ME!’ (= no way/not allowed) in hiragana. I can no longer remember how to write hiragana and only remember this from the context.
Here’s a typical Dylan joke:
Day 1 in Tojo: buy a Playstation
Day 100: ….huh…what happened to the last 99 days?
Notes:
This is the cartoon that planted the seed in 2004 for my future PhD research and it is the root of the idea really – i.e. the importance of finding the funny to lighten life for yourself and for others.
At the time, I was teaching in Japan and failing to manage a class of young children, which resulted in sleepless nights, circular thinking, and exhaustion. I called them the ‘kids on speed’ because they were so excited they were impossible to control. Interestingly, the solution did not come from strategic thinking or consulting books on teaching methods, but from drawing this comic. It helped me to notice the humour in the situation and to see the children as filled with incredible energy and enthusiasm. Drawing the comic shifted my thinking, so that the next time I walked into the classroom I was able to see the humour, to enjoy the energy of the children, and to begin experimenting with new ways to successfully channel this energy. This became one of my favourite classes and this is probably my favourite cartoon. It is only the second one I drew, but it makes me smile when I remember these kids – chilled Anju, tiny smiley Masatoshi, hyperactive Riichi, and confused Yusuke. These lovely kids!! Thank you.
Notes:
2004 was the beginning of creating cartoons for fun (and therapy I guess). At the time, I co-directed an English school in Miyoshi with friend Jeremy. We had a few problems with one of our colleagues and this was perhaps an outlet for my frustration.
I drew around a dozen cartoons then, and then returned to Britain and got distracted working for Warwick and then Coventry Universities. A lengthy distraction of 15 years!